Introducing O.ZONE SL45
A modular, 3D-printed medium & large format camera system. Built around the world's finest panoramic glass.
The System
Pick a body. Pick a lens. Pick a back. Reconfigure on the trail in under a minute.
About
A 3D-printed chassis that adapts world-class large format glass to any back you can mount.
Learn moreBodies
Four chassis depths, each tuned to a flange focal distance.
See the lineupLenses
From a 47mm Schneider XL to a 250mm Sekor — mounted in custom helicoids with engraved scales.
Browse glassAccessories
Viewfinders, light meters, hoods, sync adapters. The O.ZONE has zero electronics — so the kit matters.
Outfit your cameraWhy O.ZONE
Lattice-reinforced for strength-to-weight metal can't touch. Sculpted to the hand and the lens, not to an injection mold. Four years of iteration across 150+ photographers worldwide — and the design keeps evolving with every shot you take.
By design
The O.ZONE trades automation for permanence. Every exposure is yours — and so is every decision before it.
Every shutter is a Copal leaf shutter inside the lens — top speed 1/500s, no battery anywhere on the camera.
Swap a 6×12 roll back for a LomoGraflok Instax in seconds. The front standard never moves.
Large format lenses get 3D-printed helicoid threads with engraved distance scales — calibrated per body, per back.
Built around Rodenstock Grandagons, Nikkor SW glass and Schneider XL — large format optics, panoramic format.
Why an O.ZONE
Other panoramic systems make you choose: format, glass, or portability. The O.ZONE refuses to pick.
Native 6×12 cameras have always been expensive and rare. By treating the back as swappable, the O.ZONE makes the medium format panorama format genuinely attainable.
Shoot a 6×12 Portra landscape and an Instax Wide portrait on the same body, with the same Rodenstock 75 mm — back-swap takes under a minute.
A size-to-format ratio no fixed-body 4×5 or 6×12 camera can touch. The whole system fits in a single bag and works without a tripod.
Built around Rodenstock Grandagons, Nikkor SW glass, Schneider XL — the same large format lenses studios use, mounted in a chassis you can carry on a hike.
Made on O.ZONE
A 6×12 negative is 56 × 112 mm on 120 film — a true 1:2 panoramic frame, four times the area of a 35mm panoramic shot.
Compare the SL45, FW45, FW69 and the original Mk.8 / Mk.G — built for different lenses, different formats.